As for the EP itself, it begins with a frantic, static buzzing before a spoken-word introduction takes center spotlight, describing an unnerving phenomen. This is just a taste of the musical journey Honduh Daze takes us on. The next movement—the highlight of the EP— features an anecdote about getting a speeding ticket and going to traffic court to pay it. When an argument ensues, she screams, “I’ve got every right to be loud,” which is most certainly the thesis of the EP.
Here’s where things get interesting—even more so. Listening to the EP on Spotify vs. listening to it on Bandcamp provides a drastically different experience. At this point, the Spotify version abruptly ends at the nine minute mark with an automated voice, calling the streaming service a garbage platform and that listeners should “go to a platform that isn’t fucked and treats artists better.”
But on the Bandcamp recording, Honda strikes back, interrupting the EP to voice their displeasure. A sludgy sound accompanies the tirade before the assault eventually turns into a maniacal, robotic laugh. Suddenly, the EP gets turned on its head with the return of the band, accompanied by bombastic drums. “Politeness is cool,” she screams.